La vie en rose: 40 years of Pierre et Gilles in pictures | Art and design
Publish date: 2021-05-03
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La vie en rose: 40 years of Pierre et Gilles – in pictures
From Boy George crossed with Krishna to Serge Gainsbourg as an imprisoned Santa, a new book traces four decades of brilliant images from the photographer and painter couple Pierre and Gilles
Main image: Funny Balls (2012) Model: Marc Jacobs Created for Man About Town magazine Jacques-Antoine Granjon collection, Paris Photograph: Pierre et Gilles/Courtesy Galerie Templon, Paris and BrusselsFri 17 Feb 2017 07.00 GMT Last modified on Wed 19 Oct 2022 16.03 BST
Iggy Pop (1977). Model: Iggy Pop, created for Façade magazine
French artists Pierre and Gilles have been together for 40 years, making a dizzying array of fantastical tableaux with stars of stage and screen since they met in the 1970s. Pierre et Gilles: 40 is published by Flammarion with Galerie Daniel Templon.All photographs: © Pierre et Giles/Galerie Templon Share on Facebook Share on TwitterGainsbarre (1988). Model: Serge Gainsbourg, cover of Télérama magazine
Pierre Commoy settled in Paris in 1972 following military service, and via nights out alongside the likes of Grace Jones and David Bowie at the Le Sept nightclub, began publishing his photos in fashion magazines Share on Facebook Share on TwitterA Lover Spurned (1989). Models: Marc Almond and Marie-France Garcia, record sleeve of Marc Almond’s A Lover Spurned
Gilles Blanchard studied painting in his childhood home of Le Havre, then moved to Paris, where he too immersed himself in the underground Share on Facebook Share on TwitterPaloma Picasso (1990). Model: Paloma Picasso, cover of Jardin des Modes magazine
Gilles had a been collecting photo-booth pictures since he was 16. After meeting Pierre, these pictures would become the first of the couple’s artistic preoccupations Share on Facebook Share on TwitterJean-Paul Gaultier (1990). Model: Jean-Paul Gaultier, book cover of À Nous Deux la Mode by Patrick Rambaud and Jean-Paul Gaultier
Gilles knew illustrator Phillippe Morillon, who held infamous parties at his apartment. It was at one of these that Gilles met Robert Mapplethorpe, with whom he would travel across the US Share on Facebook Share on TwitterEn Plein Coeur (Right Through the Heart) (2016). Model: TOP (Choi Seung-Hyun)
On his travels with Mapplethorpe, Gilles said: ‘Through the Grand Canyon and Las Vegas, we traveled all the way down to Los Angeles in a splendid white Cadillac convertible’ Share on Facebook Share on TwitterKrishna (1989). Model: Boy George, created for Blitz magazine
Pierre and Gilles met in September 1976 at the launch of Kenzo’s first boutique in Paris Share on Facebook Share on TwitterPortrait de Lady Swinton (1996). Model: Tilda Swinton
They travelled the world together and reflected their global outlook in their art. Proudly exotic, their work drew on influences from all continents, including artists from the Arab world such as Umm Kulthum, Abdel Halim Hafez and Farid al-Atrash Share on Facebook Share on TwitterLe Dahlia noir (2003). Model: Dita von Teese
The couple’s practice originally involved Pierre taking the photographs and Gilles painting over them – they later collaborated on immaculately designed and realised photographic scenes Share on Facebook Share on TwitterOphélie (2012). Model: Isabelle Huppert
The pair’s style is instantly recognisable, combining kitsch, beauty, and aspirational dreamscapes Share on Facebook Share on TwitterFunny Balls (2012). Model: Marc Jacobs, created for Man About Town magazine
The two never use PhotoShop, an act of resistance against technology that emphasises their skills in production design Share on Facebook Share on TwitterCrazy Love (2014). Model: Conchita Wurst, created for the Crazy Horse cabaret, Paris
Jeff Koons believes the pair have shaped culture as we know it today: ‘It’s hard to think of contemporary culture without the influence of Pierre et Gilles, from advertising to fashion photography, music video, and film. Their highly saturated images, making reference to art history and religious iconography, create a visual impact that transcends cultures around the world. This is truly global art’ Share on Facebook Share on Twitter
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